Sabtu, 26 Mei 2012

[U995.Ebook] Free PDF Como la estela de una nave (Mundo y Cristianismo) (Spanish Edition), by Raniero Cantalamessa

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Como la estela de una nave (Mundo y Cristianismo) (Spanish Edition), by Raniero Cantalamessa

El presente libro re�ne las meditaciones predicadas en la Casa Pontificia, en presencia de Benedicto XVI, en el tiempo de Adviento de 2010 y 2011. Pretenden ser una peque�a contribuci�n al esfuerzo para una nueva reevangelizaci�n del mundo secularizado en el que deben empe�arse todas las fuerzas de la Iglesia.

Contemplando algunos destellos de la historia y los grandes retos de la actualidad para la proclamaci�n del Evangelio, bien fundados en la fe, podemos afrontar la gran misi�n encomendada por Cristo a todos los cristianos.

  • Sales Rank: #1686899 in eBooks
  • Published on: 2013-01-28
  • Released on: 2013-06-13
  • Format: Kindle eBook

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Senin, 21 Mei 2012

[I314.Ebook] PDF Ebook Essential Clinical Anatomy, 4th Edition, by Keith L. Moore, Anne M.R. Agur, Arthur F. Dalley

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Essential Clinical Anatomy, 4th Edition, by Keith L. Moore, Anne M.R. Agur, Arthur F. Dalley



Essential Clinical Anatomy, 4th Edition, by Keith L. Moore, Anne M.R. Agur, Arthur F. Dalley

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Essential Clinical Anatomy, 4th Edition, by Keith L. Moore, Anne M.R. Agur, Arthur F. Dalley

Essential Clinical Anatomy, Fourth Edition presents the core anatomical concepts found in Clinically Oriented Anatomy, Sixth Edition in a concise, easy-to-read, and student-friendly format. The text includes clinical Blue Boxes, surface anatomy and medical imaging and is an ideal primary text for shorter medical courses and/or health professions courses with condensed coverage of anatomy.

The Fourth Edition features a modified layout with new and improved artwork. The clinical Blue Boxes are now grouped to reduce interruption of text and are categorized with icons to promote easier comprehension of clinical information.

A companion website includes fully searchable online text, interactive cases, USMLE-style questions, and clinical Blue Box video podcasts. Online faculty resources include an Image Bank and a Question Bank.

  • Sales Rank: #73769 in Books
  • Brand: Brand: Lippincott Williams Wilkins
  • Published on: 2010-01-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.00" h x 8.40" w x 10.80" l, 3.20 pounds
  • Binding: Paperback
  • 736 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

14 of 16 people found the following review helpful.
Good, bad and ugly
By J. Sharp
Good: Clinical aspects (blue boxes) good for board review.

Bad: Bulk of the text is just not written in a readable manner. Read Blumenfeld's neuroanatomy text, or Gray's, and you'll know what I mean.

Ugly: Mis-labeled tables, poor labeling of some illustrations, and some information in text either confusing or just plain wrong. Netter's, Gray's, Blumenfeld all have superior illustrations and explanations of them.

Overall, a decent supplementary text, but infuriating at times.

7 of 7 people found the following review helpful.
Difficult to find information. No glossary. Not a thorough index.
By Jennifer S.
The book is difficult to find information because there is no glossary or index. I also found that the images were not consistent.

8 of 9 people found the following review helpful.
Great new 2010 4th Edition but advertised online access not available yet!!
By Sunrise
This is a great streamlined anatomy text that gives the key take-home points. The info is sufficient for most except of course the masters and PhDs in anatomy! The only downside is that, as of the date of this review, the access to the online book is not up and running yet (i.e. with the scratch code). I wrote to the customer service (thePoint) about this but have had no response in two weeks. So if you are buying this book to access it online be aware. Not sure when it will be ready.

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Selasa, 15 Mei 2012

[Z699.Ebook] Ebook Charles Bukowski's Scarlet, by Pamela Wood

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Charles Bukowski's Scarlet, by Pamela Wood

It began as a whim an impulsive meeting between the iconic Charles Bukowski and his famed muse, Pamela Cupcakes Wood that would lead to a two-year relationship that Wood chronicles in this straightforward memoir. Her story is refreshingly blunt as she details their often ridiculous, yet charming relationship. This is a Bukowski enthusiast's dream a total immersion into his life with the independent and spirited Scarlet, the woman he wrote about in the book of the same name, plus many poems. She appears as Tammie in Bukowski's book Women. Who is Scarlet? What was the powerful chemistry between Bukowski and the woman whose identity intrigued so many? Written with engaging wit, this is an insightful, honest recollection of their life together: loving, humorous, complicated and, at times, outrageous. We see Buk as a gifted, flawed man and glimpse his simmering violence when under the influence of alcohol, yet we appreciate him for his deeply sensitive and compassionate underlying nature.

  • Sales Rank: #1847819 in Books
  • Published on: 2010-04-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.75" h x 5.75" w x .50" l, .0 pounds
  • Binding: Perfect Paperback
  • 240 pages

Most helpful customer reviews

12 of 14 people found the following review helpful.
The most intimate peek into Bukowski's life you are likely to ever read
By mjp
When she met him late one drunken evening with a friend in tow (Georgia, star of an infamous Bukowski kitchen photograph), Pamela "Cupcakes" Miller could not have known that she would become forever entwined in the story of Charles Bukowski's life. This tremendous first-person account gives a look into a side of Bukowski that has been hinted at in other biographies, but never revealed in-depth.

The story has all the elements that you would expect, plus many that may surprise you. Bukowski loved Pam, though he sometimes showed that love in ways that would have tried the patience of any mere mortal. But Pam enjoyed the freedom of Bukowski's world, and their on again, off again relationship lasted for quite some time. While he would have been happy to continue on with her in his life, in the end she had to make a choice, and that choice closed the door on Bukowski and his often chaotic world. His future wife Linda entered as Pam was exiting, and Bukowski's life eventually changed as well.

A great look into not only Bukowski's world but the Los Angeles of the 1970s. A place that is long gone, both in spirit and recognizable landmarks. Including the Carlton Way bungalow where many of the scenes in Scarlet played out. But this isn't a book about Los Angeles, it is a book about Bukowski and Pam, and it will not disappoint anyone with an interest in Bukowski, or a curiosity about how he lived in the days of his increasing notoriety.

This is an essential piece of the Bukowski picture, and I'm glad that someone as significant to Bukowski as Pamela was wrote it all down for us.

Three thumbs up! Six stars! Buy it! What are you waiting for?

5 of 5 people found the following review helpful.
Amazing companion book to WOMEN
By B. Roberts
An amazingly entertaining read by Ms. Wood. This book makes a great companion to the novel WOMEN. Every chapter is enlightening and entertaining. A true page turner. You cannot go wrong with this book. Pick this up at your local independent bookstore, chain store or online, but pick it up. You will not be disappointed. If I had a third hand, I'd give this book three thumbs up.

9 of 11 people found the following review helpful.
CUPCAKES!!!
By William A. Barker
Pamela,

Charles Bukowski is my mentor, my hero, my inspiration when it comes to writing/poetry. I plan on visiting his grave in the next few years and cracking a Heineken in his memory....

I'm a Charles Bukowski collector/fanatic/fan, I thank you from the bottom of my heart for writing this book. I've read it twice through in the past two months and it is absolutely glorious.

Fans of Mr. Bukowski who either weren't alive or were to young during his lifetime to truly appreciate him and his legacy are so blessed to have this piece of literature. Pamela has written an honest, unbiased, firsthand account of life with Charles Bukowski. She is perfectly comfortable with the young girl she was during these years yet she isn't hesitant to share the wisdom she has gained as she's progressed in years. There is recollection, regret, satisfaction, and embarrassment displayed here. We get a glimpse into the private moments of Charles Bukowski's life from another person's point-of-view. Fans of his novels, poems, short stories will find that Pamela's accounts fill in missing pieces in his life story which played out in: Love is a Dog From Hell, Born Into This and so many other places.....Pamela's perspective is a priceless treasure.

What I respect most about this novel is the RESPECT she has for Mr. Bukowski despite their differences and their eventual breakup. In recollection, she realizes and understands how blessed and special she is to have been part of his life both literary and literally. She regrets not having talked to him after their split--always imagining she'd see him again--and really brings the reader to tears (if they have any connection to Hank) by the end of the book. Pamela, I'd give anything to be able to tell you in person how much this book means to me. I'll read it ten more times without a doubt. Thank you. Thank you. THANK YOU!!!!

Charles Bukowski fans.....don't hesitate....add it to your cart...support Pamela....she is in this to share her experiences with the man we all know and love....Charles HANK Bukowski...it isn't some desperate attempt to CASH-IN

well written
great information
filling in gaps left in Hank's stories/poems/prose
a gem in the the world that is CHARLES BUKOWSKI

5 Stars!

YES!!!!!!!!!

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Minggu, 13 Mei 2012

[J778.Ebook] Get Free Ebook Pray Like A Wife: 31 Days of Praying for Your Husband / Future Husband, by De'Nisha Sh'Lene

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Pray Like A Wife: 31 Days of Praying for Your Husband / Future Husband, by De'Nisha Sh'Lene

With the divorce rate steadily rising, it is imperative that every woman know how to “Pray Like A Wife.” Prayer is the key to a long-lasting, successful marriage. This prayer journal consists of 31 strategic prayers to be prayed over the course of 31 days. The prayer journal can be used in conjunction with the “Act Like A Lady, Pray Like A Wife” Prayer Challenge which encourages married women to intensify their prayers for their husbands and challenges single women to pray, in faith, for the man God is preparing for them. Pray Like A Wife: 31 Days of Praying for Your Husband/Future Husband will strengthen your prayer life and teach you how to Pray Like A Wife!

  • Sales Rank: #223237 in Books
  • Published on: 2015-01-21
  • Original language: English
  • Dimensions: 9.00" h x .16" w x 6.00" l,
  • Binding: Paperback
  • 70 pages

About the Author
De’Nisha Sh’Lene is a self-proclaimed “Saved Girl” who combines her gifts, talents, education and passion for Jesus Christ to impact the world around her. A bachelor’s degree from Grand Valley State University, a master’s degree from University of Michigan, and a career as a clinical social worker and rehabilitation specialist are just a few of the accomplishments God has helped her to achieve. De'Nisha Sh’Lene has an overwhelming passion to see young women saved, living a Godly lifestyle and serving Jesus Christ. With this in mind, De'Nisha Sh’Lene founded Saved In Style (SIS). Saved in Style is a spirit lead ministry whose mission is to encourage individuals to get saved because "Sin is Outdated, Saved Is In Style". De’Nisha Sh’Lene has hosted her own radio show,”Model Life” on Impact Radio Network. She also is the founder of a non-profit organization,” Model Life” which mentors young girls into living a life that reflects the beauty of Christ. De’Nisha Sh’Lene is currently enrolled in Liberty University’s Theological Studies program and is working towards her goal of obtaining her doctorate degree. De'Nisha Sh’Lene's heart is centered on winning souls for the kingdom of God and pleasing God in every aspect of her life. De’Nisha Sh’Lene loves to praise dance, mentor, pray, ride on roller coasters, travel and make God smile.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By Wanda Williams
Great read

1 of 2 people found the following review helpful.
Five Stars
By Amazon Customer
Absolutely life changing prayers!

0 of 1 people found the following review helpful.
I love it the prayers are relevant and anointed
By JoAnn Clark
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[E621.Ebook] Download Gloucestermas (Gloucesterman), by Jonathan Bayliss

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Gloucestermas (Gloucesterman), by Jonathan Bayliss

Gloucestermas is the culmination of Jonathan Bayliss’s masterwork, GLOUCESTERMAN, a tetralogy reviewers have compared to the fiction of Sterne, Melville, Joyce, Broch, and Musil.

Like Gloucesterbook and Gloucestertide, this richly detailed, playful, and expansive novel is centered on the Atlantic Coast’s seaport “Dogtown” on “Cape Gloucester.” Rafe Opsimath and Caleb Karcist are now older, with new practical, social, and intellectual preoccupations in 1980s Dogtown. Woven into the narrative are the Cape Gloucester and Isle of Man of the 1920s, Dogtown legends and municipal affairs, the fate of the schooner Gloucesterman, the play The Tower of Gilgamesh, and a Court of Love. Expanding the network of friends, spouses, and lovers, new central characters are intertwined in the sprawling web of ideas, history, geography, responsibility, experience, conversation, and love that make GLOUCESTERMAN unique in the world of literature.

Gloucestermas may be enjoyed independently or alongside the previous novels in the GLOUCESTERMAN series, headed by Prologos and including Gloucesterbook and Gloucestertide.

  • Sales Rank: #2604288 in eBooks
  • Published on: 2013-11-28
  • Released on: 2013-11-28
  • Format: Kindle eBook

Review
James Joyce gave us the living, breathing Dublin through the prism of myth; Jonathan Bayliss's counterfactual Gloucester is no less vital, and his understanding of local and national political life is equally profound. Though set in the recent past and brilliantly weaving together all the narrative threads of the earlier books, Gloucestermas projects the reader equally into the future, charting the progress of our civic and sensual lives and the life of the American novel itself. --Peter Anastas, author of numerous books including Broken Trip and Decline of Fishes

The world so vividly imagined in the earlier fiction of Jonathan Bayliss is brought here to a fully realized, fully rounded close.

Gloucestermas connects many of the disparate ideas developed in the other novels, deepens the story of Caleb Karcist in unexpected ways, and offers some of the most remarkable conversations in all of American fiction.

Jonathan Bayliss's fiction sets a standard for the novel of ideas that recalls the work of Herman Broch or Thomas Pynchon without the paranoia...

These are novels in which everything matters: party politics, Christianity, dogs, being a spouse or parent, business efficiency, love, dance, myth, sex, growing old and dying all pulled together by the special topos that is Gloucester, Massachusetts.

The action unfolds in a world that is at once recognizable but altered: Gloucester is called Dogtown, Boston is Botolph, Democrats and Republicans are Catholicrats and Protesticans. This re-naming bumps the real world off its foundation just a few inches, with the result that we see things from a sharper, more incisive perspective. Lying behind it all is the adumbration of an enormous system encompassing all art, science, and technology - a general theory of culture whose shape the main characters are in their various ways working toward discerning. These are novels that imagine what it might mean to live a genuinely human life, rooted in a particular place. They occupy a special place in literature. --Gary Grieve-Carlson, professor of English and author of Olson's Prose

The world so vividly imagined in the earlier fiction of Jonathan Bayliss is brought here to a fully realized, fully rounded close.

Gloucestermas connects many of the disparate ideas developed in the other novels, deepens the story of Caleb Karcist in unexpected ways, and offers some of the most remarkable conversations in all of American fiction.

Jonathan Bayliss s fiction sets a standard for the novel of ideas that recalls the work of Herman Broch or Thomas Pynchon without the paranoia...

These are novels in which everything matters: party politics, Christianity, dogs, being a spouse or parent, business efficiency, love, dance, myth, sex, growing old and dying all pulled together by the special topos that is Gloucester, Massachusetts.

The action unfolds in a world that is at once recognizable but altered: Gloucester is called Dogtown, Boston is Botolph, Democrats and Republicans are Catholicrats and Protesticans. This re-naming bumps the real world off its foundation just a few inches, with the result that we see things from a sharper, more incisive perspective. Lying behind it all is the adumbration of an enormous system encompassing all art, science, and technology a general theory of culture whose shape the main characters are in their various ways working toward discerning. These are novels that imagine what it might mean to live a genuinely human life, rooted in a particular place. They occupy a special place in literature. --Gary Grieve-Carlson, professor of English and author of Olson's Prose

About the Author
Jonathan Bayliss (1926-2009) studied at Harvard, served in the U.S. Navy during World War II, and finished his A.B. at the University of California at Berkeley. While writing his four-volume series, the work of a lifetime, Bayliss earned his livelihood in positions involved with sales analysis, accounting controls, and management, beginning in 1950 at a Berkeley bookstore. In the 1960s, as controller at Gortons of Gloucester, the frozen-fish processor, he initiated the development of integrated business systems using the IBM 360 mainframe computer. He also supervised the design and construction of Gortons' modern headquarters in Gloucester. After leaving Gortons in 1972, he devoted the next five years to full-time writing. Later he worked for the City of Gloucester as an aide to the mayor and as city treasurer. In 1985 he resumed full-time writing. Bayliss was putting the finishing touches on his final novel when he died in Gloucester in 2009 at the age of 82.

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3 of 3 people found the following review helpful.
Gloucestermas, Exasperating But Intriguing
By Richard Amero
Gloucesternas, A Novel That Vexes But Leaves Readers Thinking

Gloucestermas (Fontis Press, Westborough, Mass.,) Jonathan Bayliss culminating novel in his four-part series beginning with Prologos, Gloucesterbook, and Gloucestertide, was published in 2010, one year after Bayliss' death in 2009. Whether the novel was complete at the time of its publication is confusing as it bares the marks of unfinished composition, which either the author or the editor could have remedied. Characters that appear in previous novels appear in this novel or are referred to by name. As this is a late novel, it shows the effects of the author's declining libido. Taken as a whole it is a baffling mixture of autobiography and fiction, and is marked by an abundance of dimly defined characters and by haziness in plot development.

It is considered fashionable in some circles these days to consider random plot juxtapositions and contradictions in characterization to be the latest fad in experimental, sometimes called deconstructionist, fiction. As such the novel's disassembled and fragmented structure is supposed to be a harbinger of the novel as it is to be. If this be so, may the Deities help us for ramblings flow effortlessly from one character to another in what was in former times called "a stream of consciousness" but now might more appropriately be called "a stream of associations" Caleb, the protagonist, calls the perigrinetic musings Immediate Exclusive Consciousness (IEC).

By bringing so many of the characters in other parts of the series together in Dogtown (a pseudonym for Gloucester, Mass.) the plot strains credulity. It might be said that this isn't a realistic novel so the numerous interconnections, which frequently involve the exchange of husbands and wives, must be accepted on its own terms. It would not happen in a real world but in a work of fiction, fiction could be said by some (but not by me) to predominate.

As most of the characters are now quinquagenarians, sexagenarians, septuagenarians, and octogenarians, the Sumerian goddess of love Inana, has either abandoned her votaries or has acquired a new set, leaving the old to flounder in abstractions having to do with politics (Protesticans vs., Catholicrats), with the vagaries of art, and with manifestations of anthropology, geology, mathematics, metaphysics, mythology, and theology.

One of the more distressing parts of the novel is the way all the main characters seem to talk and think in the same language. Perhaps it is lingua franca in Gloucester that all seagulls are called "angels," but, in my youth, my peers had other less complimentary names. Characters are mostly matroons, which means they are outsiders who have come to settle in Dogwood because it radiates an uncontrollable magnetism. In one place, it is stated that natives go as far away from their collapsing town as they can, with Southern California in general and Hume (read the University of California at Berkeley) in particular functioning as a one-way street.

While the ruminations of the main characters, including an omniscient narrator, occupy most of the book, there is a curious kind of in-breeding among leads as their ruminations usually center around the same subject, such as the search for a father for Caleb Karcist on the part of his friends. Caleb, for his part, is mildly amused. Roughly the book breaks down into two orbits, the first concerns Mary Tremont (also known as Moira Trevisa), Caleb's mother. Around the celebration of Dogwood's annual Petrine (read Roman Catholic) celebration, Moira, as she was then known, had sex with three distinguished gentlemen who were respectively a successful acquirer of stocks who happens to be a Jew; a young officer in the U.S. Navy who is a blonde Celtic navy architect; and a soon-to-be ordained Tudor (read Episcopalian) priest who is something of a "holy ghost" with radical ideas about changing ecclesiastical rituals.

Why this question of fatherhood should be of such concern to Tessa Opsimath is a mystery, but, suffice it to say, she likes to solve the scandals of an associate who was born a bastard. For myself I regard Tessa as a tiresome busybody. At any rate she was a disciple of Auto Drang (Otto Rank) a prominent psychoanalyst and is, therefore, adept at probing hidden secrets. Tessa believes in "free will," and, supposedly, so did her mentor Auto Drang. "Free will" is a hidden motif in the novel that surfaces from time to time. Readers are advised to be on the alert for those occasions when it pokes its nose through the canvas.

Aside from Caleb, an introspective and scrawny bachelor with a penchant for geometric symbols, who is engaged in completing a dramatic version of the Sumerian tale of Gilgamesh, the two main characters that take up the bulk of the novel are Fayaway [Morgan] Gabriel and Finn Macdane. Their common topic of conversation in their pillow talk is Caleb. Midway in the novel all three of Caleb's possible fathers die and the story line shifts to Caleb's position as an assistant to the mayor of Dogwood. Caleb has evolved a theory of organization he calls Synectic Method of Diagnostic Correlation (SMDT). By applying this theory to the solution of practical problems he has become an efficiency expert who can expedite work, reduce expenditures, and get rid of surplus employees. Business machines made by OHM (IBM) make it possible for Caleb to demonstrate how his theory can be used to simplify actions. As the novel takes place during the years Roland Raygun (Ronald Reagan) was president, an era in which personal selfishness overcame aspirations for "the common good" Caleb does not grasp the importance of personal computers which were to make OHM punch cards obsolete.. Not surprisingly Caleb's reorganization schemes are not regarded with joy by corporate vice presidents or by legislators whose political futures are tied to special interests.

Gloucestermas is not for everyone. Since I am a transported native of Gloucester, Mass. I am able to locate most of the sites Bayliss describes, though in some cases I think he puts separate scenes into one place. A map of Dogtown would do much to clear up the confusion. I found the artificial names to be unnecessary though Bayliss may have thought his cognomens were cute, significant, or just inside jokes. His description of the inner harbor and the shoreline of Gloucester's downtown as seen from the Crow (Eastern) Point breakwater does not correspond to anything I saw from the same place, though Bayliss, as all-knowing narrator, says he used binoculars. At one point before his accidental death by a kilroy (in this case a refrigeration trailer), Ibi Roy, a mythological dog in earlier books, charges a sign with a picture of a cat on it. I find this to be unbelievable.

Bayliss has a curious way of trying to link Wellingborough Redburn (Herman Melville) to the narrative which I find difficult to accept. Most of this linkage is through the reminiscences or experience of anyone of the interchangeable characters. I prefer to call Liam Yeats by his real name. For most of the novel, William Butler Yeats was used as a prop without reference to his works; however, in a penultimate chapter an attempt is made to show how Yeat's use of geometric symbols was not as abstruse or as profound as those Caleb uses. (Three cheers then for the "Isorectotetrahedron" (IRTH) and the double-headed axe, which date from Sumerian times and, as far as I can see, appear to have the same functions as a scepter and mace.) As poetry, what Yeats did with his tower symbol, nature images, and personal conflicts, and with the attitudes of the oppressed people in Ireland were on a plane higher than the more prosaic Bayliss ever reaches. When he was not trying to be the conveyor of Universal Systems or a sub-optimizer of optimum ideas, I am sure Bayliss, or his fictional alter ego Caleb, was aware of this.) Another writer Bayliss makes much use of without explaining why is George Borrow, an unjustly-neglected 19th century writer of picaresque novels and translator of the English Bible, who along with Bayliss was of the Tudor (Episcopalian) persuasion and had a fondness for real gypsies (a name Bayliss attaches to free-loving female waifs.)

Bayliss abandons his staggering vocabulary, mostly made up of sesquipedalians of his own coinage, and his equally staggering collections of lists as he gets deeper into his novel. Could it be that these stylistic extravagances became as boring to the author as they eventually became to his readers?

As a Gloucester native, I appreciated Bayliss description of the changing tides as they affected the creek on the south side of Little Harbor (Good Harbor) Beach but I am not sure the description would mean much to outsiders, particularly to those who could not picture the scene he describes it in detail. As incoming and outgoing tides changed the contours of the land and the transparency of the water, so the many shifts in the novel changed the outlines of the plot. In this sense, if one is looking for metaphors the creek and its waters could serve as a metaphor for the fluid nature of the novel, perhaps, not as explicit as the madeleine in Proust, but a metaphor nonetheless.

If the epic of Gilgamesh appeals to readers, I would recommend reading it as a whole rather than in the dispersed sections in the novel. Caleb uses the original as a source but adds ideas that came later in the history of civilization. His updated version is acceptable because it deals revealingly with the world in which many of us find ourselves, without all those bothersome gods who require perpetual sacrifice. If there is a parallel between this lesser story and the greater story of Caleb perhaps it can be found in librarian Gloria Cotton's observation that Caleb is Gilgamesh and Ibi Roy, his Viking Shepherd dog, is Engidu, the wild man Gilgamesh subdued and, came to love. After Engidu died Gilgamesh set off on his quest for immortality, only to find that his only immortality would be in the guise of legend.

I think that if the reader has the stamina to get to the end of Gloucestermas, Bayliss' pondurables, no matter how many avatars he uses to illustrate them, trouble most of humanity. (Is life more than "birth, copulation and death"?) I suspect Bayliss solution is a kind of oscillating pessimism, well to the shoreward side of despondency. He has no faith in God, yet God or Gods exist. He is comfortable being a Tudor (Episcopalian) because he likes liturgy, but he concedes liturgy has its roots in primitive rituals, dances and choral recitatives. I think, like bigoted George Borrow, he finds Roman Catholicism to be distasteful because of its "priest-craft" and he excludes traces of it in his novel, going so far as to place his characters in Mother's (Rocky) Neck when the greater number of tourists and Petrine residents in Dogwood are celebrating their quasi-religious festivities on Sacrum Square, the town landing, on the other side of the inner harbor..

Despite occasional touches of brilliance as in the playful analogy of a schooner to a battleship; in the casual exchange of pleasantries between Caleb and Lillian Cloud-Argo, his lady love of yesteryear, at the Starboard Gangway (Studio) without a kiss for Old Times' sake; in the vivid but all too brief description of the wrecking of the poorly-maintained 56-year old schooner Gloucesterman and the drowning of its helmsman Finn Macdane; and in the surprisingly lively dialogue between Caleb and Thalia, his godmother's daughter, in the final chapter. Gloucestermas is a circumlocutious and repetitious book that ends on a note of middle-age florescence. Caleb is 46 and Thalia is 45; not quite the mature fascination of Antony at 53 and Cleopatra at 39, but close enough.

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Encouraging creative uses of reinforced concrete, Principles of Reinforced Concrete Design draws a clear distinction between fundamentals and professional consensus. This text presents a mixture of fundamentals along with practical methods. It provides the fundamental concepts required for designing reinforced concrete (RC) structures, emphasizing principles based on mechanics, experience, and experimentation, while encouraging practitioners to consult their local building codes.

The book presents design choices that fall in line with the boundaries defined by professional consensus (building codes), and provides reference material outlining the design criteria contained in building codes. It includes applications for both building and bridge structural design, and it is applicable worldwide, as it is not dependent upon any particular codes.

  • Contains concise coverage that can be taught in one semester
  • Underscores the fundamental principles of behavior
  • Provides students with an understanding of the principles upon which codes are based
  • Assists in navigating the labyrinth of ever-changing codes
  • Fosters an inherent understanding of design

The text also provides a brief history of reinforced concrete. While the initial attraction for using reinforced concrete in building construction has been attributed to its fire resistance, its increase in popularity was also due to the creativity of engineers who kept extending its limits of application. Along with height achievement, reinforced concrete gained momentum by providing convenience, plasticity, and low-cost economic appeal.

Principles of Reinforced Concrete Design provides undergraduate students with the fundamentals of mechanics and direct observation, as well as the concepts required to design reinforced concrete (RC) structures, and applies to both building and bridge structural design.

  • Sales Rank: #600430 in Books
  • Published on: 2014-07-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.75" h x 6.50" w x 1.00" l, .0 pounds
  • Binding: Hardcover
  • 295 pages

Review

"The material is presented in a basic and intuitive manner. The book emphasizes basic concepts and gets those concepts across in a manner a novice structural engineer can grasp. The book does not lose sight of big-picture design decisions and does not get bogged down with prescriptive code clauses."
―Wassim Ghannoum, University of Texas at Austin, USA

"…presents a terrific overview of fundamental techniques in reinforced concrete design. Unique to this textbook is the author’s detailed introduction of the history and evolution of reinforced concrete. By showing students how the technical challenges of the day called for particular improvements in reinforced concrete design techniques, the authors will surely motivate students to pursue the research necessary to create their own innovations in the field."
––Dr. Mohammed E. Haque, PE, Texas A&M University, College Station

"The book provides perspective to an undergraduate student that is trying to understand how concrete structures stand up. It does not throw the novice student into the intricacies of the Code, but instead builds on first principles that the student learned in earlier classes and provides a guide for how design of concrete structures fit with that theory."
―JoAnn Browning, University of Kansas

"The book material is prepared in a way that lends itself perfectly for the first undergraduate class in reinforced concrete design. The division of material into small sections that can be read easily and discussed in class sessions provides a fresh look to the traditional way textbooks related to reinforced concrete design are written. The chapter on history of reinforced concrete (Chapter 1), in particular, contains a wealth of information on specific developments that have led to the current practice of reinforced concrete construction and design. Almost each sentence in this chapter mentions a major development that the reader may be interested in studying in more detail."
―Sergio F. Bre�a, University of Massachusetts Amherst

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Perfect Daughters: Adult Daughters of Alcoholics, by Robert Ackerman

This new edition of Perfect Daughters, a pivotal book in the ACoA movement, identifies what differentiates the adult daughters of alcoholics from other women.

When this groundbreaking book first appeared over ten years ago, Dr. Ackerman identified behavior patterns shared by daughters of alcoholics. Adult daughters of alcoholics-"perfect daughters" -operate from a base of harsh and limiting views of themselves and the world. Having learned that they must function perfectly in order to avoid unpleasant situations, these women often assume responsibility for the failures of others. They are drawn to chemically dependent men and are more likely to become addicted themselves. More than just a text that identifies these behavior patterns, this book collects the thoughts, feelings and experiences of twelve hundred perfect daughters, offering readers an opportunity to explore their own life's dynamics and thereby heal and grow.

This edition contains updated information throughout the text, and completely new material, including chapters on eating disorders and abuse letters from perfect daughters in various stages of recovery, and helpful, affirming suggestions from Dr. Ackerman at the end of every chapter. This book is essential for every one who found validation, hope, courage and support in the pages of the original Perfect Daughters, as well as new readers and every therapist who confronts these issues.

Also includes: a comprehensive reference section and complete index.

  • Sales Rank: #23917 in Books
  • Color: White
  • Brand: Unknown
  • Published on: 2002-07-01
  • Released on: 2002-07-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .76" w x 6.00" l, 1.15 pounds
  • Binding: Paperback
  • 334 pages
Features
  • Perfect Daughters: Adult Daughters of Alcoholics

About the Author
Robert J. Ackerman, Ph.D., is the author of ten books, including A Husband's Little Black Book; A Wife's Little Red Book; Before It's Too Late; Children of Alcoholics; and many others. His books including Perfect Daughters, have become the cornerstone of Recovery and ACoA movements. He has appeared on Oprah, CNN Headline News and The Today Show. Dr. Ackerman is the chair of the Mid-Atlantic Addiction Training Institute, as well as Professor of Sociology at the Indiana University of Pennsylvania. He is also a founding board member of the National Association for Children of Alcoholics.

Excerpt. � Reprinted by permission. All rights reserved.

From Chapter 2 - Home Groan: Daughters In Alcoholic Families

Your Age

Daughters who were born into an alcoholic family may have totally different perceptions and experiences than daughters whose parent(s) became alcoholic when they were fourteen. The younger you were when your parent became alcoholic, the longer you were exposed to active alcoholism and the higher the probability that you were negatively affected.

Additionally, your developmental stage of childhood might have influenced how you perceived alcoholism. For example, a five-year-old sees only the behavioral effects of alcoholism, which she equates with drunken behavior. A fifteen-year-old can equate alcoholism not only with being drunk, but also with a variety of perceived motivations as to why the alcoholic drinks.

Children do not automatically recognize that a parent is an alcoholic. As a matter of fact, many adult children will not accept even now that one or both of their parents is or was an alcoholic. In childhood, recognizing that the parent has a drinking problem occurs in three stages. In the first stage, a child begins to realize that her house is different from that of her friends. However, just because families differ does not mean that something is wrong. During the second stage, the child begins to suspect that the differences between her home and other homes is something that should be covered up or denied because she doesn't want her friends to know. In the third stage, the child becomes aware of what the difference is, which is that her parent drinks too much. Most daughters of alcoholics reach the third stage around age thirteen (Ackerman, 1988), which does not mean that the daughter tells anyone, but rather that she admits to herself that she knows what the problem is in her house. After all, many adult daughters admit the alcoholism only as adults, long after their childhood has ended.

Other factors influence the age at which daughters reach stage three. The gender of the alcoholic parent and whether one or two alcoholic parents were present are both contributing factors. For example, most daughters of alcoholic fathers reach stage three when they are twelve years old. (Approximately 60 percent of the adult daughters in this study had an alcoholic father only.) Daughters of two alcoholic parents typically admit the drinking problems when they are approximately fourteen years old. Perhaps both parents did not become alcoholic at the same time, or if a daughter has two alcoholic parents, she did not have a nonalcoholic role model to compare her adults to. Therefore, realizing the inappropriate behaviors in one's parents may take longer because they were both doing the same thing and not until being exposed to other parental role models does a daughter begin to admit the differences. (Only 20 percent of the adult daughters studied had two alcoholic parents.)

Daughters of alcoholic mothers often do not reach stage three until they are almost nineteen, perhaps because women traditionally have developed alcohol problems at later ages than men, or the daughter wants to deny a drinking problem longer in her mother than in her father. Another reason could be that adult daughters of alcoholic mothers are much less likely to know someone else with an alcoholic mother since only 20 percent of adult daughters have an alcoholic mother only, as opposed to the 60 percent who have an alcoholic father.

Alcoholic Mothers, Alcoholic Fathers

Are daughters of alcoholic mothers affected differently than daughters of alcoholic fathers? You may have entirely different memories, perceptions and experiences of your childhood depending upon the gender of your alcoholic parent. Additionally, if you had two alcoholic parents, the effects of the alcoholism of each one were probably not equally received; that is, you probably identified more with and were influenced more by the alcoholism in one parent than in the other, and experienced more positive or negative feelings from one than from the other. The impact and feelings of adult daughters of alcoholic mothers and fathers are discussed more fully in later chapters.

Contributing Others

While you were growing up, did you have someone special whom you could share your feelings with about your family life? Perhaps the person was another relative, a best friend, teacher, neighbor or, in some cases, your nonalcoholic parent. If you had someone who cared about you and your problems, she or he made a contribution to your life by helping you with your feelings. This special person allowed you to share your family secret. You may not have solved anything together, but just being together with another person and believing that someone else cared about you and supported you was helpful.

Unfortunately, only 13 percent of adult daughters indicate that they had someone with whom they could share their feelings during their childhood. Those daughters who did have such a person in their lives were much less likely to seek treatment as adults than those who had no choice but to keep all of their emotions and feelings to themselves. If you had such a friend, relative or confidante, as you proceed in your recovery from your childhood, you will realize how much she or he contributed to your life.

I wish I could have had real parents. I've always wondered what it would have been like to have someone to care about me and to share my deepest hurts and secrets and successes with.
Nancy

Parenting Behaviors and Styles

Although one or both of your parents were alcoholic while you were growing up, what kind of parent or parents were they? For example, how did the alcoholism affect the ability of the alcoholic to fulfill the parenting role? On the other hand, how did the alcoholism in the family affect the ability of your nonalcoholic parent to fulfill the parenting role?

Many adult daughters express that their strongest negative feelings about their childhood are more associated with how the alcoholic behaved toward them than with the actual drinking. In other words, the parenting that you received or didn't receive can affect your memories about your childhood more significantly than the drinking alone. How much the alcoholic parent attempts to still try and be a parent can affect a child. You may have had a parent who made an effort to be an effective parent, but who was unable to break the addiction from alcohol. Not all parents, alcoholic or nonalcoholic, have the same behaviors or the same styles of parenting. Growing up with a parent who ignores you is different than living with one who tries to control you, regardless of their alcohol use.

We felt that our father really did love us; he just wasn't very good at it. He messed up everything he tried, but he did try.
Carol

Other daughters were convinced that their alcoholic parent would lie awake at night trying to think of what else they could do to upset their daughter!

And when our father used to get us up in the middle of the night and march around the house singing ""Onward Christian Soldiers,"" it would be a school night and we would think that we should be able to sleep like normal kids. And we'd say, ""Mom, please help us, come to our rescue,"" and she never did.
Cathy

Adult daughters indicate that the behavior that they remember most about their alcoholic parent is the verbal belligerence. This type of alcoholic parent is argumentative and verbally abusive, walking all over everyone's beliefs and self-esteem.

Other daughters state that the alcoholic parent was offensive to them, including behaviors ranging from embarrassing them in front of friends, to physically or sexually abusing them. Thirty-one percent of adult daughters experienced physical abuse as children, 19 percent were victims of sexual abuse, and 38 percent witnessed spousal abuse in their families. These rates of abuse were three to four times higher than among women who were raised in nonalcoholic families. Daughters who experienced not only parental alcoholism but also abuse were affected more and differently than adult daughters of nonabusive alcoholics.

In my own recovery, I found that I slowly experienced and found ways to express anger at Dad for his various abusive rampages while he was drunk. The surprise was that I had seen my mother as a victim all those years and never held her responsible for the hell my brothers and I went through.
Valerie

Some adult daughters indicate that the alcoholic parent was passive and paid little attention to them or other members of the family. Other adult daughters state that the alcoholic pretended to be carefree, taking nothing seriously. This approach might have been fine according to the alcoholic's thinking, but adult daughters adjusted to this pattern by taking everything in their lives seriously, perhaps too seriously.

As you might suspect, verbal belligerence and offensive behaviors occur more among alcoholic parents than did passive and carefree behaviors. Additionally, daughters who experienced verbal attacks and abuse indicate far more negative effects than do the daughters of passive and carefree alcoholic parents.

Your Perceptions

Eighty percent of adult daughters perceive that having an alcoholic parent highly affected their lives. Twelve percent indicate that they were moderately affected, and 8 percent believe that they were unaffected. What is the source of their perceptions? Are their perceptions the ones that they had as children, or do they come from their experiences as adult daughters who see things differently now?

Your understanding of your childhood as a child may be totally different from how you remember it now. Whatever most of us define as real, we usually react to as if it exists. Whether it is real or not, we respond to it based on our perceptions. All daughters of alcoholics do not share the same perceptions of their experiences. This section began by asking what it was like in your home as a child. What did you think about your family as a child? Did you perceive and believe not only that something was wrong in your family, but also that you were being affected? If you thought that something was wrong, did you know what it was or did you think it was you?

When I was growing up I just felt very lonely all of the time. I felt like I didn't have any friends, that life was passing me by, and I was depressed often. I can't say that at the time I was experiencing it, I recognized it as being unnatural. You know I thought there was something wrong with me.
Paula

Having an accurate and consistent perception of a situation is difficult when the situation is chaotic and constantly changing, when it contains mixed messages, or when we are not able to understand what is happening. Many adult daughters admit to being confused as children not only about the drinking, but also about how they should behave in their own families.

For example, if you wanted to perceive that your parent did not have a drinking problem, then you would have tried to behave as if your mother was not alcoholic. However, this attempt became confusing when you found yourself doing things to compensate or cover up for a condition that you wanted to perceive did not exist.
Our perceptions of having an alcoholic parent can depend upon several things. The first and foremost is denial. While growing up, if you wanted to deny that your parent was alcoholic, you probably also denied that any problems from drinking existed. On the other hand, you could deny the impact of the drinking by convincing yourself that any dysfunctional behaviors in your family had nothing to do with drinking.

Another way to distort perceptions is to minimize. Such statements as ""It really wasn't that bad,"" ""It didn't affect me,"" or ""He isn't drunk, he just doesn't feel well,"" are all examples of attempting to minimize the impact of the alcoholism in your life.

As a child, how well did you understand what was going on in your family? In other words, did you know that alcoholism or alcohol problems were causing the pain in your family? If you did not fully understand what was happening, you probably do not accurately perceive the situation. As a child, your uncertainty about the situation could explain differences in opinions about what occurred.

All of these different perceptions and their reasons can explain why many adult daughters admit that they recognized the alcoholism in a parent as a child or teenager, while other adult daughters indicate that they did not perceive the problem of alcoholism until they were adults.

My mother was an alcoholic, and I didn't know that she was an alcoholic when I was a child. So for me, being a child of an alcoholic didn't start until I was about fifteen years old. Before that, the experience was more of being a child in a family that was unloved and that I was a troublemaker and not wanted. Because of that, I felt I was to blame when I did find out that my mother was an alcoholic.
Renee

Your Resiliency

A frequently heard clich� is that ""children are resilient."" Although this idea has been around for a long time, only in the past twenty years have therapists and researchers explored the validity of this concept. Much of this interest has come from our concern about ""high-risk"" children. Children who have been raised in troubled families-alcoholic, abusive, emotionally stressful, parents in conflict-or in dangerous physical environments have often been considered at-risk emotionally, physically and developmentally for many problems in their own lives. Certainly daughters of alcoholics fit this category.

On the other hand, some adult daughters were able to go with the flow as children and adolescents. They seemed to be able to adjust to situations, maintain a sense of purpose in their lives and, above all, keep a positive attitude. Parental alcoholism was not going to rain on their parade; the umbrella that protected them was resiliency.

Many definitions are available for resiliency, which can be described as the ability to thrive despite adversity. Resiliency enables people of all ages and backgrounds to lead healthy and fulfilling lives despite formidable obstacles. Different behavioral and emotional outcomes for many adult daughters might result from the amount of resiliency developed during childhood.

For example, while you were growing up, did you have people or institutions in your life that helped you? Did you have places to go that allowed you to feel good about yourself or at least forget about what was happening at home? Avis Brenner believes that all children under stress need an ""emotional oasis"" (1984). The child under stress needs a time-out somewhere from the trauma. Fortunately, some adult daughters had these places to go to and positive people in their lives.

Many studies on resiliency reveal that certain protective factors occur in the lives of high-risk children that help them successfully cope with their situations (Benard et al., 1994; Garmezy et al., 1976; Werner and Johnson, 2000). Children who have these protective factors are more able to endure the dysfunctional situations in their lives and still emerge as relatively competent and content children. The following are the six most common protective factors identified in the lives of resilient children.


1. They know how to attract and use the support of adults.
If you had people in your life helping and supporting you, perhaps not only did others want to help you, but you were also the type of girl that others enjoyed being around. Teachers, group leaders and adult relatives were there for you, and you were able to accept and use their support. Many adult daughters state that were it not for a certain adult or group of people in their lives, they would not have made it.

2. They actively try to master their own environment, have a sense of their own power and often volunteer to help others.
Few children can master the environment of an alcoholic family. However, children of alcoholics who could master other environments in their lives lessened the impact of their alcoholic families. For example, these children were able to fit in well in school and church, with youth groups and with friends. When you master your environment you feel comfortable in it-that you have something to contribute and that being in that environment is worthwhile. Most importantly, you feel good about yourself. Daughters of alcoholics who mastered an environment had a place not only to feel good about themselves, but also to enjoy an emotional oasis from their families.

3. They develop a high degree of autonomy early in life.
You cannot totally separate from an alcoholic family. However, those daughters of alcoholics who were able to establish an identity other than being a daughter of an alcoholic were able to develop a certain degree of autonomy. I used to call this ""the front-porch phenomenon."" Whenever I was inside my house, I would shut down. In the grip of too much tension and too much dysfunction, you become part of a dysfunctional system even if you don't want to. Being a spectator was not possible. I was enmeshed whether I liked it or not. When I left the house, however, and stepped off the front porch, I felt a tremendous sense of relief and I believed that for a while I could be my own person. How about you? Did you have a chance to separate for a while, or did being a member of an alcoholic family totally overshadow your identity?

4. They become involved in various activities or projects and do well in most things that they undertake.
A little bit of success somewhere provides a wonderful way to offset a lot of pain in your family. Daughters of alcoholics today have more opportunities to become involved in activities than many of the adult daughters who were part of the original study on which this book is based. Adult daughters often share that they felt like failures at home or were put down by the alcoholic. The actress Suzanne Somers, a daughter of an alcoholic, publicly tells her story and states that she was constantly called a ""zero, the big 'O,' or nothing"" by her alcoholic father, which must have been incredibly painful.

Daughters who were involved in various activities and did well in them had a chance to experience successes in their lives. These daughters, even in pain, were able to use their talents and feel good about themselves. One woman in the play A Chorus Line tells of the pain in her family and the marital infidelity of her father, who left the family, but she states that, ""Everything was beautiful at the ballet."" For a few hours a week, she danced there and the world danced with her.

5. They are socially at ease, and they make others feel comfortable around them.
I think that I have done a lot for children. I have developed programs for high-risk children, worked with youth mental-health workers, helped to found organizations to advocate for children's issues and listened to thousands of children. I would, however, be the last person to say that I love all children. You could put some children around me for a long time and I don't think that the word ""love"" would come up between the two of us too often. Some children are easier to help than others.

When they are comfortable in social situations and others feel comfortable around them, children are more likely to benefit from help. Whether the person who is going to help realizes it or not, if she is comfortable around the child she will give the child everything she has. If, however, something about the child makes her uncomfortable, she is likely to be hesitant or cautious even if she is not aware that she is doing it.

Many adult daughters have great social skills. They know the right things to do around other people and thus others are at ease in their presence. If these adult daughters possessed these traits as girls, they probably had more people who were willing to interact with them and thus be supportive. Daughters who have always struggled socially may not have been as fortunate.

6. They develop a healthy sense of humor.
Traditionally we have always thought that having a healthy sense of humor around stress was an adult characteristic. We now realize, however, that children who have a healthy sense of humor are more resilient to stress. I'm not talking about being sarcastic. Being sarcastic about your situation is much different from having a healthy sense of humor. Sarcasm does not indicate that you have the ability to deflect or reduce the emotional impact of strain. If anything, sarcasm might be an indicator of just how much the pain exists. I've listened to many adult daughters who made joke after joke or wisecracks about their alcoholic family, but you could feel the pain.

A healthy sense of humor does not mean that you could laugh at everything as much as it might have indicated that you were able to have an alternative point of view about the situation. Also, a healthy sense of humor as a child meant that sometimes you knew that the best thing to do was to just ""lighten up."" You knew that you couldn't change the situation, but maybe you could make it less intense. G. K. Chesterton, a British philosopher, once said that the reason that angels can fly is because they take themselves lightly.

Did you have any of the above contributors to resiliency while you were growing up? Such personality characteristics might help to explain differences among adult daughters. Looking at the resiliency factors might remind you not only of your childhood, but also your experiences outside of your family. Sometimes we need to look back to see who helped us, and sometimes we are able to remember good people and positive situations. Now you need to find more of those.

�2002. All rights reserved. Reprinted from Perfect Daughters (Revised Edition) by Robert J. Ackerman, Ph.D. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, without the written permission of the publisher. Publisher: Health Communications, Inc., 3201 SW 15th Street, Deerfield Beach, FL 33442.

Most helpful customer reviews

3 of 3 people found the following review helpful.
Very insightful for daughters of alcoholics. Really resonates with me
By Naudraidna
I have read several different books on adult children of alcoholics but never one written specifically for daughters of alcoholics. I was actually surprised at how much this book resonated with me and how much more insight I gained into my personality and character and even my behavior. One of the parts that made a significant impact on me was the difference between which parent was the alcoholic on the daughter and how it shaped her. I highly recommend this book.

3 of 3 people found the following review helpful.
Wonderful
By Stacie Williams
It was hard to see myself written on pages, which lead to a lot of tears and a lot of forgotten memories. BUT it was a breath of fresh air to know I wasn't alone. For my own sanity I read pieces at a time and took a slow pace. But this book helped me see the beauty of the "Curse" that was bestowed on me, and learn to use it to my strengths. I loved how it explained how people may react to your recovery process which was something I myself was struggling with. I would recommend this book to any daughter of an Alcoholic.

5 of 5 people found the following review helpful.
So-So
By Sweetness2
I have been having a lot of the issues that other ACOAs go through. I have a tendency towards perfectionism, sometimes to the point of not even starting something, because I know that I wont be perfect at it. This book, while interesting to read, wasn't enlightening. I didn't really learn anything from it that I hadn't learned from other more informative ACOA books, and I felt that it didn't fit me and my issues. It also seemed very generalized, for a book specialized towards "perfect daughters" It covered a wide range of personality types, and the ways that a daughter of an alcoholic learns to cope, just not what I 'thought' a perfect daughter was.
It would be a great book for those just beginning to explore this subject, and could probably give some a feeling of not being alone in their pain.

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