Rabu, 28 Agustus 2013

[H317.Ebook] Free Ebook "I'm Not a Racist, But...": The Moral Quandary of Race, by Lawrence Blum

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Not all racial incidents are racist incidents, Lawrence Blum says. "We need a more varied and nuanced moral vocabulary for talking about the arena of race. We should not be faced with a choice of 'racism' or nothing." Use of the word "racism" is pervasive: An article about the NAACP's criticism of television networks for casting too few "minority" actors in lead roles asks, "Is television a racist institution?" A white girl in Virginia says it is racist for her African-American teacher to wear African attire.

Blum argues that a growing tendency to castigate as "racism" everything that goes wrong in the racial domain reduces the term's power to evoke moral outrage. In "I'm Not a Racist, But . . .", Blum develops a historically grounded account of racism as the deeply morally-charged notion it has become. He addresses the question whether people of color can be racist, defines types of racism, and identifies debased and inappropriate usages of the term. Though racial insensitivity, racial anxiety, racial ignorance and racial injustice are, in his view, not "racism," they are racial ills that should elicit moral concern.

Blum argues that "race" itself, even when not serving distinct racial malfeasance, is a morally destructive idea, implying moral distance and unequal worth. History and genetic science reveal both the avoidability and the falsity of the idea of race. Blum argues that we can give up the idea of race, but must recognize that racial groups' historical and social experience has been shaped by having been treated as if they were races.

  • Sales Rank: #1648080 in Books
  • Brand: Brand: Cornell University Press
  • Published on: 2001-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.42" h x .86" w x 6.30" l, 1.13 pounds
  • Binding: Hardcover
  • 245 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
Media, politicians, social and political groups and individuals use the term "racism" casually and inaccurately, thereby stripping the concept of its meaning, argues Lawrence Blum in I'm Not a Racist, But...: The Moral Quandary of Race. Not all interracial difficulties involve racism, he contends, but society does not have the vocabulary to discuss racial overtones with greater subtlety. Thus people and institutions fearful of being called racist feel defensive when racial issues are raised, perpetuating the status quo of race relations. Blum (Moral Perception and Particularity), professor of philosophy and of liberal arts and education at the University of Massachusetts, Boston, asserts that only "certain especially serious moral failings and violations" merit the designation "racism." Discussing various scholarly perspectives on the construction of racial categories, Blum calls for a balance between "ridding ourselves of the myth of race" and understanding the role of race in social inequality and in history.

Copyright 2001 Cahners Business Information, Inc.

From Booklist
The term racism has been so overused that it is in danger of losing its moral significance, according to philosophy professor Blum, who argues for clearer, more precise use of the word and related terminology. Blum examines related concepts and terms --institutional racism, personal racism, racist, racist beliefs--and their interplay as he explores the moral implications of racism on a multiplicity of levels. A section on "colorblindness" is especially enlightening, given the often-contradictory use of the concept. The author surveys the history of the concept of race and its associated development with the enslavement of Africans. While he argues that "race," as we generally use that term, does not exist, racialized groups as socially constructed do, with import and consequences often associated with that term. Blum recognizes the ideal of abandoning use of the concept of race, but also acknowledges the practical need to remedy wrongs of the past and present. This is a very thoughtful work on a sensitive subject, a good and practical work for all readers interested in race relations. Vernon Ford
Copyright � American Library Association. All rights reserved

Review

"Discussing various scholarly perspectives on the construction of racial categories, Blum calls for a balance between 'ridding ourselves of the myth of race' and understanding the role of race in social inequality and in history."―Publishers Weekly



"This is a very thoughtful work on a sensitive subject, a good and practical work for all readers interested in race relations."―Booklist



"In his informative treatment of the concept of racism, Lawrence Blum is most concerned with the dangers of over-appropriation. He fears that the accusation 'racist' is now used so casually and widely that it is in danger of loosing its power to shame. . . . His is a book that can help untangle many of the individual issues that racism raises and is a most important contribution to the growing field of applied educational and social philosophy."―Teachers College Record



"Few topics are in such desperate need of clear analysis as the subject of race. . . . In this concise volume, Blum brings the precision of a moral philosopher to bear on this perennial American dilemma, with generally helpful results. . . . A fresh and important contribution to applied social philosophy, recommended for general readers, upper-division undergraduates, graduate students, and faculty."―Choice



"Blum's thoughts support his main argument: that calm, reasoned deliberation about injustices can give us the moral vocabulary we need to do better as a society."―Boston Review



"This is a useful reference for anyone who wishes to think intelligently about the problem of race."―MultiCultural Review



"This book combines clarity and compassion to an extraordinary degree, while surveying in an accessible way a vast range of thinking about race. It will be enormously useful to teachers, at both high school and college levels; it will advance the debate among those who think about race; but above all, its wide diffusion will benefit all of us as citizens of a racialized society."―Kwame Anthony Appiah, Carswell Professor of Afro-American Studies and of Philosophy, Harvard University



"In 'I'm Not A Racist, But . . .' Lawrence Blum offers answers for our time about what race is, who is a racist, and ways for people to talk about the racialized features of our society without falling into name-calling or defensiveness. With exemplary moral and analytic clarity, Blum offers educators, students, lawyers, judges, leaders, and citizens tools for building a nation of equality, comity, and respect for each person."―Martha Minow, Harvard University Law School



"Following the findings of modern science, Blum holds that (biological) races do not exist, but racialized populations do, as a consequence of the Western world's subordinating and inferiorizing other peoples as well as some of their own populations. He insightfully examines and interprets contemporary attitudes, behaviors, and beliefs about race in the United States and argues that 'race' is fundamentally a moral problem. In confronting this problem, Blum challenges us to recognize and distinguish the varied manifestations of this racialized world view, from extreme racism to racial insensitivity and ignorance, which carry different moral valences. An excellent, thought-provoking book, with powerful messages, that should be widely read."―Audrey Smedley, Virginia Commonwealth University



"This much-needed book challenges the idea that justice in a historically racist society can be achieved through a policy of race neutrality alone. Lawrence Blum shows the many ways in which racism involves more than just individual attitudes and discusses the concepts of race and racism in a philosophically insightful way. 'I'm Not a Racist, But . . .' is a most important contribution to the growing field of applied social philosophy."―Walter Feinberg, University of Illinois, Urbana-Champaign



"With an impressive combination of moral acuteness, precision of reasoning, and wide-ranging empirical knowledge, Lawrence Blum, a fine philosopher, dissects our concepts of race and racism. He argues that 'racism' has all too frequently been a catch-all label for people and conduct of many different types, and that we will gain as a society if we make many more careful distinctions; between actions and traits of character, between the acts of dominant groups and reactive actions of subordinated groups, and above all, between racism, a morally grave failing involving inferioriaztion or animosity, and other moral failings, such as racial insensitivity, race-related ignorance, and deficient appreciation of individuality. Written in a lively, clear, and accessible style, Blum's book makes a major contribution toward a style of politics that rejects mere epithets and slogans in favor of thoughtful deliberation about shared problems."―Martha Nussbaum, Ernst Freud Professor of Law and Ethics, The University of Chicago

Most helpful customer reviews

19 of 21 people found the following review helpful.
A Really Important Book
By A Customer
This book just has so much that's useful in it I forget that it's written by a philosopher; and yet everything the author says is said very carefully and is so well-reasoned. What is racism? What is race? Can blacks be racist too? These are some of the questions addressed. I really love the examples the author uses where he asks the reader to consider whether the response is "racist" or not and his references to current movies; and I don't think I've ever read a better "brief history" of race and racism. That chapter in particular is a must-read for those of us who teach sociology, psychology, or history courses in race or prejudice. His approach is so much more nuanced than most in his understanding of the social construction of race alongside his understanding that we can not forget that shared historical and social experiences mean something central to people. This book is destined to become a source that scholars and educators alike will turn to and recommend to others. Not a flash in the pan treatment of a trendy topic -- but a really important book!

9 of 11 people found the following review helpful.
Simply Superb
By David Schraub
A clear, engaging, and sophisticated analysis of America's most confounding problem. Blum outlines a progressive and compelling structure of how race works in America, how race talk is stifled, and how we overuse the term "racism." The most important thing his book adds to the discussion is not just that "racism" is an overloaded term. It's the call for a "more complex vocabulary" to deal with race. That is, in the status quo, one is either "racist" (evil) or not racist (good). This makes the definition of "racist" a scorched-earth battle, because the winner takes all. Blum argues convincingly that we should consider acts of racial insensitivity or subconscious racial prejudices to be really bad things, and work proactively to eliminate them, but should not necessarily tag them with the label of "racist". The simultanously concedes and turns the conservative objection that progressive race scholars are always "playing the race card" because it shifts the frame of debate--we need to discuss race issues, so we'll change the rhetoric we use, but we're not going to excuse bad conduct on your part just because it doesn't rise to the moral evil of slavery or Jim Crow.

14 of 20 people found the following review helpful.
An ounce of Clarity is Worth a Pound of confusion
By Herbert L Calhoun
This is a mature, if not a rather sophisticated treatment of a painful subject in a society whose reality and consciousness still rests comfortably on a "soft Apartheid-like racist" social order. Very gently, Professor Blum, a renowned philosopher, guides and clarifies as he enlightens. In the process of stripping away some of the emotion-laden baggage associated with the word "racism," he shows that even in a race-based society there is considerable room for clarity and nuance.

This is a very useful contribution, especially in the way he makes us aware of how our hypersensitivity to the way the word "racism" is used, itself continues to play an important but unconscious role in helping to maintain and protect social advantages and at the same time continues to help stifle a smooth transition to full equality between the races. This is a powerful message all by itself and is alone worth five stars.

My only complaint about the book is that there IS such a thing as "nuance overkill," -- of achieving just a bit too much subtlety. After all, the conservative ideologue, Denesh d' Sousa, in his book "The End of Racism," speaks of his own shades and nuances of the word racism. He uses the euphemisms "strategic," "defensive," and "situational" racism, with equal facility and with equal claims to a need for clarity. According to him, these are also clarifications that fit the reality of many whites - people who just coincidently also happen to be those Americans anxious to avoid having the "albatross of racism" hung around their necks.

I do believe that the word "racism" can be sliced-and-diced, peeled back, and parsed and finessed so much that it is bleached of all its affective content - and is thus rendered into an emotionless abstraction. Now tell me, honestly, whose interests does this bleaching process really serve? Do we really want to do that in a race sensitive culture?

Are we pretending not to know that on the backside of all the emotion packed into the use of the word "racism" is also built a "moral hammer." The job of that hammer is to not allow whites to remain too snug in their comfort zone of continuing to impose "the ways of racism" on the rest of us. In a real sense, it is the only moral hammer that remains in American society. It is the only thing between us becoming a neo-racist and Fascist society, and one that continues to move "ever-so-imperceptively" towards the equality the U.S. Constitution was intended to achieve.

But more than this, at some point one must sit back and "call a spade a spade." And here the double entendre is not intended to refer only to blacks, but also to whites, who continue to be sensitive to the word "racism" primarily because of the guilt it induces about their passive roles in maintaining a race-based culture.

No whites should be allowed to forget or allowed to miss the point that the word "racism" recalls how much the very idea of whiteness, (upon which most Americans identities -- and indeed the very essence of their humanity rest), continues to ride on the crest of a mostly false history that has allowed them to accumulate and store enormous "racist" advantages.

Thus the word, "racism," no matter how it is parsed, no matter how nuanced, no matter how much subtlety is added to the soup of our national discourse, will always retain a sensitive spot in the white psyche. The word "racism" cannot be further "purged" or "defanged." There is a natural end point to this process of parsing the word racism. Beyond that, the circle of re-empowering racists begins all over again.

As Albert Einstein is reputed to have once said, "we should make things as simple as possible, but not simpler than necessary." The same applies to the word "racism." Sometimes, an ounce of clarity is worth a pound of confusion. At other times, too much clarity can falsify reality in unintended ways.

Still the best book on the subject in print. Five Stars

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Selasa, 27 Agustus 2013

[P425.Ebook] Ebook Download A Guide To The Interpretation Of Vibration Frequency And Time Spectrums, by Dr. Robert M Jones

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A Guide To The Interpretation Of Vibration Frequency And Time Spectrums, by Dr. Robert M Jones

This book provides field examples of various types of vibration problems with accompanying FFT's and Time Wave spectrums. The spectrums are then interpreted to provide the readers with an example to follow in the interpretation of their own vibration problems. Additional problems that can be solved using vibration detection equipment, such as valve leaks and rubbing are also presented.

  • Sales Rank: #4180674 in Books
  • Published on: 2011-09-20
  • Original language: English
  • Dimensions: 11.00" h x .27" w x 8.50" l,
  • Binding: Paperback
  • 118 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Counter review of book
By Robert M. Jones
I am copying a comment I received on Linkedin to counter the poison pen review above. RMJ Niclas Jackson "Strongly recommended to anyone remotely interested in the topic! It makes particular sense to anyone monitoring with SKF equipment as it has a rare in depth, hands on treatment of the strong enveloping tech. Having done analyses for 15 yrs I was still able to pick up new information. Could well be my best spent 30 $ ever!"

0 of 1 people found the following review helpful.
Bad purchase
By JotaJota
From an Engineering point of view this book does not worth what it costs. Very simple, no technical background and very bad examples.

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Minggu, 25 Agustus 2013

[E713.Ebook] Ebook Download Nonlinear Modulation Theory (Detection, Estimation, and Modulation Theory, Part II), by Harry L. Van Trees

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Nonlinear Modulation Theory (Detection, Estimation, and Modulation Theory, Part II), by Harry L. Van Trees

The respected classic, now in a handy paperback edition

Originally published in 1971, Harry Van Trees' Detection, Estimation, and Modulation Theory, Part II is one of the classic references in the area of nonlinear modulation theory and analog communication. Highly readable and well organized, it is as valuable today for professionals, researchers, and students interested in the estimation of continuous waveforms as it was over thirty years ago.

Part II focuses on the problem of finding the optimum estimate of a waveform which is embedded in a signal in a nonlinear manner. The following topics are covered in detail:

  • Bayesian Cram�r-Rao bound on the mean-square estimation error
  • Optimum demodulators for frequency-modulation systems
  • Phase estimation: the synchronization problem
  • Fokker-Planck techniques for nonlinear analysis in the presence of noise
  • Optimum angle-modulation systems
  • Rate distortion bounds for analog message transmission
  • Analog communication over randomly time-varying channels
  • State variable analysis procedures

For students in signal processing or professionals looking for a reliable refresher on waveform estimation, Detection, Estimation, and Modulation Theory, Part II provides authoritative, practical coverage by one of the most renowned figures in the field. Although most current systems are implemented digitally, the bounds on performance developed in Part II are still applicable.

  • Sales Rank: #2300586 in Books
  • Brand: Brand: Wiley-Interscience
  • Published on: 2002-12-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.31" h x .78" w x 6.10" l, 1.15 pounds
  • Binding: Paperback
  • 368 pages
Features
  • Used Book in Good Condition

From the Back Cover
The respected classic, now in a handy paperback edition

Originally published in 1971, Harry Van Trees' Detection, Estimation, and Modulation Theory, Part II is one of the classic references in the area of nonlinear modulation theory and analog communication. Highly readable and well organized, it is as valuable today for professionals, researchers, and students interested in the estimation of continuous waveforms as it was over thirty years ago.

Part II focuses on the problem of finding the optimum estimate of a waveform which is embedded in a signal in a nonlinear manner. The following topics are covered in detail:
* Bayesian Cram�r-Rao bound on the mean-square estimation error
* Optimum demodulators for frequency-modulation systems
* Phase estimation: the synchronization problem
* Fokker-Planck techniques for nonlinear analysis in the presence of noise
* Optimum angle-modulation systems
* Rate distortion bounds for analog message transmission
* Analog communication over randomly time-varying channels
* State variable analysis procedures

For students in signal processing or professionals looking for a reliable refresher on waveform estimation, Detection, Estimation, and Modulation Theory, Part II provides authoritative, practical coverage by one of the most renowned figures in the field. Although most current systems are implemented digitally, the bounds on performance developed in Part II are still applicable.

About the Author
Harry L. Van Trees, ScD, was Professor of Electrical Engineering at Massachusetts Institute of Technology. He served as Chief Scientist of the U.S. Air Force, Chief Scientist of the Defense Communications Agency, and Principal Deputy Assistant Secretary of Defense for C3I. He was President of M/A-Com-Linkabit Government Systems and a cofounder of CommQuest Technologies. He is currently Distinguished Professor of Electrical Engineering and Director of the C3I Center of Excellence at George Mason University, Fairfax, Virginia.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Still a good reference
By Wesley G Brodsky
This book was originally written with the application of analog FM demodulation in mind. However, it is not obsolete. Most of the material is applicable to Phase-Locked Loops, which are still in use.
Plus, it is as well written, and enjoyable, as the other volumes.
I'll give it four rather than five stars just because a few sections are only applicable to analog FM.

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Jumat, 23 Agustus 2013

[N430.Ebook] Download The Seventh Victim, by Mary Burton

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The Seventh Victim, by Mary Burton

If At First You Don't Succeed



It's been seven years since the Seattle Strangler terrorized the city. His victims were all young, pretty, their lifeless bodies found wrapped in a home-sewn white dress. But there was one who miraculously escaped death, just before the Strangler disappeared. . .

Kill

Lara Church has only hazy memories of her long-ago attack. What she does have is a home in Austin, a job, and a chance at a normal life at last. Then Texas Ranger James Beck arrives on her doorstep with shattering news: The Strangler is back. And this time, he's in Austin. . .

And Kill Again. . .

He's always craved her, even as he killed the others. For so long he's been waiting to unleash the beast within. And this time, he'll prove he holds her life in his hands--right before he ends it forever. . .

Praise for the novels of Mary Burton

"Will have readers sleeping with the lights on." --Publishers Weekly on Before She Dies (starred review)

"Terrifying. . .this chilling thriller is an engrossing story." --Library Journal on Merciless

  • Sales Rank: #165838 in Books
  • Brand: Burton, Mary
  • Published on: 2013-01-29
  • Released on: 2013-01-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.74" h x 1.08" w x 4.10" l, .40 pounds
  • Binding: Mass Market Paperback
  • 400 pages

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24 of 24 people found the following review helpful.
THE SEVENTH VICTIM is a thrill-a-minute rollercoaster ride
By Bookreporter
Bestselling author Mary Burton (BEFORE SHE DIES and MERCILESS) ratchets up the tension in Texas as a cold case thaws. Seven years ago, Lara Church was the Seattle Strangler’s seventh victim, but she survived. Barely. Recalling none of the events, she’s been on the run to distance herself from a homicidal maniac she can’t identify: “For seven years, Lara had lived a gypsy’s life. Fear of settling had kept her moving from town to town.”
Inheriting her grandmother’s house near Austin, where she spent childhood summers, Lara now teaches photography classes. And she has a gruesome hobby: photographing recent murder landscape scenes with a 150-year-old bellows camera. At a kill site, Lara encounters Detective James Beck, who suspects Lara may have altered a crime scene that has the strangler’s M.O. Lara resents Beck’s arrogance, but she notices his “six-foot-six frame coupled with broad shoulders and a lean, muscled body. This close, the restrained power in his body made her skin tingle.”
Now there are startlingly similar homicides in Austin. Are they by a copycat killer? But how could someone in Texas know about an undisclosed specific coin left with each Seattle victim, and where Lara now lives? Those details bring Seattle cop Mike Raines to the Lone Star State. Texas testosterone, however, blurs a thin blue line when Beck muscles Mike out of the jurisdictional picture. There is a truckload of characters, some with motive to continue the Seattle Strangler’s legacy. But does the Texas Ranger with a questionable job suspension and white hat also wear a dark one?
A posh studio, Gallery 101, features Lara’s photographic art, and a newspaper reporter mentions she was the only Seattle victim to survive. The reporter ties in recent local murders. Everyone in Austin knows her identity --- and her past. Now, several homicides occur, each body after death is dressed in white and found clutching a 1983 penny. And each kill site creeps closer to Lara’s remote ranch. A scurrilous person drugs her protection dog Lincoln, threatening notes appear on her truck’s windshield at the university where she teaches, and someone slashes her tires. The Texas Rangers know that Lara is the target’s bullseye, but she refuses to go into hiding: “I don’t want to be a victim ever again. So I’ve learned to take care of myself.”
True to the Romantic Suspense genre, Lara Church allows feelings absent for seven years to rekindle, though there is far more suspense than romance. Myriad character points of view detract, but readers are able to get into the minds of murderers and victims, as well as those of the dual protagonists. THE SEVENTH VICTIM is a thrill-a-minute rollercoaster ride with curlicue plot twists and a breathtaking sudden-stop conclusion.

Reviewed by L. Dean Murphy

89 of 107 people found the following review helpful.
Let's play...name the cliche!
By Stefani140
Let me tell you a little story about this book. I accidentally requested to get an ARC. I thought that the author was a different author whom I have read and enjoyed before and I jumped out of my chair in joy at thinking she had a new book. After I realized that I was mistaken about who the author was, I ended up not caring too much because the story still sounded really fantastic. Oh, how I was wrong! Despite having an excellent cover and an astounding synopsis, this book was just a mess. I bring you, bullet points!

~Predictable plot is predictable. By the second or third time we have the killer introduced into a scene, I knew who it was. It was so painfully obvious that it was...well painful. Also, by about the halfway point I had figured out what the twist was and by 70% I knew who the twist would revolve around. I don't know whether to credit my obsession with the TV show Criminal Minds for this or maybe the plot was just that obvious and unimaginative.
~Stubborn heroine who insists on protecting herself but seems to be incapable of doing so. Every time we talked to Lara she was insisting that she could take care of herself, but them proceeds to do completely idiotic things that seem to suggest otherwise. For example, going to a recent crime scene when it is nearly dark outside...by yourself...with just a camera...and a shotgun (that she left in a locked car). I mean, what good is a shotgun going to do you if it's locked in your car 20 yards away? I'm pretty sure an assailant isn't going to allow you to run 20 yards to the car, unlock the car, get the shotgun, load the shotgun, and then shoot him. She has a darkroom and leaves it unlocked while she is in there with her back to the door and in the dark. And then she ignores her dog when he starts barking at something from outside. Gee, that sounds smart! And don't get your hopes up that the other female characters are any smarter, they aren't. One notable moment is when one girl gets a flat tire, on an abandoned road at night, without cell phone service, hasn't seen another sign of human life in at least a half hour, but is ever so grateful at the person who has been following her the whole time for offering his help! I sincerely hope that there are not that many stupid women in the world.
~Cops who are either oblivious or inept. Anyone who has watched Law & Order knows that when a person is attacked, most of the time the attacker is someone they know. Yet, these cops mostly seem to sit around wondering which unknown stranger it could be without even bothering to look at people close to Lara. Their justification is, well it's a serial killer so he probably doesn't know the victims. That doesn't hold water either. Criminal Minds has taught me that serial killers have their distinct signatures because the actions satisfy some need or fantasy they have. If a serial killer does not rape his victims and then suddenly a similar crime appears with a rape, it's not the same guy. If a serial killer is going after prostitutes and homeless woman, and suddenly it's a young blonde college student who was a big risk then it's not the same guy! But all of this is overlooked too, despite the claim that a FBI profiler was advising them. Really? He must be inept too!
~Lame romance. It was very cliche for the head cop to fall for Lara. And I just didn't feel it. I knew that they had feelings for each other because the author told me they did, but that's the only reason. Their actual actions and words didn't lead me to that conclusion at all. Then they decide to have sex after the most traumatic and violent scene in the whole book? What? Nearly getting killed is an aphrodisiac for Lara? Yeah that was weird and made me feel like I needed a shower with bleach. Oh and let's throw in another cliche, simultaneous orgasms. Has this honestly ever happened to anyone in real life? It's never happened to me! The sex scene made me laugh though. In one paragraph Lara removed his pants and then on the next page she was undoing the button on his pants...when did he put them back on? *snicker*
~Name a cliche, any cliche! Any cliche you can think of for a murder mystery/suspense/thriller and this book probably had it. Surviving victim becomes the obsession of the killer. Obsessed cop who couldn't let this case go and is now sticking his nose into the current case. Lead cop falling for the poor surviving victim. Female characters with no sense of self preservation. The miraculous "ah ha!" moment that answers all of the questions surrounding the case just pages before the end. The police miraculously bursting in the door just in time to save the poor female victim with a few well placed bullets that never miss. I could name more but I think you get the idea.
~Suspense? Where? This was supposedly a suspense novel, but I never once felt that rush in my veins that suspense novels usually give me. Mostly I just got bored. I started mentally counting cliches in my head and coming up with a scorecard for how well I predicted the book's plot. There was no suspense, I knew exactly what would happen chapters before it actually happened.

So, there we have it. If you want to read a serial killer novel that is exactly like thousands of other serial killer novels then this is a book for you. If you've never read a serial killer novel then this is perfect since you won't have a clue about how cliche it is! But otherwise, give this one a pass unless you're suffering from insomnia...because then it might help.

I received an ARC copy of this book from the publisher via NetGalley in exchange for an honest review. Thank you Kensington books! This review is based on an uncorrected ARC of this book, certain things may differ from the final copy.

13 of 13 people found the following review helpful.
just so-so
By Sue Williams
The story was good, if a little predictable. But what really caused me to give it only 2 stars were the two main characters. I found it difficult to like either one of them, especially the heroine with her "I can take care of myself" attitude. This, despite the fact that she is attacked, her dog is attacked and there is a murderer in the area. The hero was just as annoying and, frankly, a bit of a jerk toward her for most of the book. The sudden connection between them was completely unbelievable.

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Jumat, 16 Agustus 2013

[G245.Ebook] Ebook Free Whatever Happened to Peggy Sue?: A Memoir

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Whatever Happened to Peggy Sue?: A Memoir

  • Published on: 1605
  • Binding: Hardcover

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Rabu, 14 Agustus 2013

[W662.Ebook] Get Free Ebook ComMUSICation: From Pavlov's Dog to Sound Branding, by John Groves

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ComMUSICation: From Pavlov's Dog to Sound Branding, by John Groves

Music can say so much. It can make us laugh or cry - it can make us remember our first kiss as though it was just yesterday. Just one chord in a film score is enough to tell us that someone is hiding behind the curtain. We can even hear how a person is feeling just by the sound of their voice. By understanding how such processes work, we are able to create sounds that trigger the desired associations in a branding context. John Groves, a music consultant and composer with a long track record of creating memorable melodies for brands such as Olympus, Mentos, Bacardi, Mars and Visa, documents the birth of a new discipline - Sound Branding. He shares personal experiences and anecdotes of how music can be responsible for suicide, revolutions, and making people pay more for a glass of wine. He explains how sound and music can be used strategically to provide identification, differentiation and generally to steer perception. ComMUSICation is a mix of cutting-edge scientific findings and one man's analytical - and sometimes humourous - views, ending in a walk-through of his structured system for developing and managing Brand Sound Identities. This book is a must-read for anyone involved in marketing, advertising, branding, music - in fact, for anyone who has ears!

  • Sales Rank: #6132639 in Books
  • Published on: 2011-10-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .69" w x 5.98" l, 1.09 pounds
  • Binding: Hardcover
  • 232 pages

Review
After reading just a few lines of a book, I will decide if I'm going to continue reading it or let it be. John's entertaining style of writing grabs you from page one and makes it easy not only for experts to immerse yourself into the psycholgy of music ... (Helmut Zerlett, composer and musician, bandleader, Harald Schmidt Show)

The book ComMUSICation successfully creates awareness for the power of sound in branding. John Groves takes the reader on an entertaining journey through sound and sound communication strategies. (Mathias Hevert, Managing Director Hevert-Arzneimittel)

ComMUSICation is a captivating book which endorses the significance and potential of music and sound in brand communications. By using convincing examples and case histories, Groves demonstrates how sound and music can be used to convey brand signals and anchor them deep in the minds of consumers. Furthermore he gives the reader an insight into his proven system for the development of Brand Sound Identities. A must-read for all marketing and brand managers. (Claus Fesel, Director of Corporate Communciations DATEV eG) --Testimonials to author

After a long and notable career at the forefront of sound branding, John Groves retains his evident passion for music's unique power to convey sophisticated information, born from a childhood delight in the sound of his favourite ice cream van. He builds on his professional expertise with pertinent research findings to put forward an authoritative case for brands to apply the utmost rigour in re-evaluating the way they use music and sound in their communications. Indeed, his text contains a convincing, all but definitive, methodology for developing and managing brand sound identities, one even the most hardened sceptic would struggle to dismiss. In so doing, Groves presents a much-needed, coherent antidote to the chronic blind-spot of the advertising industry: the subjective, knee-jerk decision-making about music that continues to plague and de-value its output whilst burdening hundreds of talented composers with a commissioning process so mercurial it reduces their average hourly income to little over minimum wage. Regrettably, the marketing, advertising and branding professionals most in need of these valuable insights are probably among those readers least willing to tolerate the author's use of dated references, his irrepressibly garrulous writing style and clumsy gender stereotyping that would not usually evade a good editor. When it comes to sound branding, however, Groves unquestionably knows his stuff and there is much here to absorb those with an interest in the subject. Sadly though, a promising opportunity has been missed to deliver what could have been a game-changing industry text. (Augusta Quiney) --The Works, British Academy for Songwriters, Composers and Authors

Having mentally taken the first step which was accepting the fact that our ears play just as big a role in brand building as our eyes do (as Nokia and T-Mobile are proving a million times every day), the case that John Groves makes for Sound Branding becomes a no-brainer. The book also makes it clear that we, the marketers, have to ask ourselves a potentially embarrassing question: how it is possible to have overlooked such a vital part of our responsibilities for such a long time? Groves nimbly invites the reader to convince himself of the significance of sound and music for marketing before he plausibly demonstrates what it takes to develop one s own Brand Sound Identity. Those of us who have ever tried to verbally describe taste or a colour will be pleasantly surprised how easily and playfully the author manages to plant sounds in the reader s head. ComMUSICation is not a Do-It-Yourself book. On the contrary, it shows the importance of working with an expert to develop a real holistic brand sound identity, as opposed to just the usual musical ending for the next cinema spot! What's more, it soon becomes clear that musicians are not automatically Sound Branding experts, just as artists aren t automatically good advertisers. Nevertheless ComMUSICation provides a number of good arguments that can be used when dealing with branding budgets or for when fighting with agency creatives about the last three seconds of the cinema commercial. All in all, John Groves book provides a good introduction to the subject of Sound Branding. However, before we can learn how to use sound properly, we must learn to listen firstly to ourselves and what we tell our clients. Whereas these days, most of us are quite fit in visual branding when it comes to the sound of a brand, we ve still got quite a way to go! (Heino Hilbig, CEO, Mayflower concepts / Former Head of Corporate Marketing, Olympus Europa Holding)

John Groves's new book ComMUSICation sets the benchmark in sound branding and has the potential of becoming the standard work. As I have had the pleasure of working together with John (on our sound branding project for EnBW,) reading the book was a good refresher for me. It not only covers all the basics of sound branding, but it provides everything one needs to know about the topic - just like a checklist. But most importantly - the book is not boring! You don�t find just pure theory but also interesting and funny anecdotes together with personal experiences and memories. This makes this highly informative book very easy to read, while being really amusing and entertaining. And last but not least: I personally can confirm, that John and his team are capable of transferring the written concepts into effective and inspiring sounds! (Oliver Schulz, Director of Marketing Communications, EnBW GmbH)

In today's tight budgets, music is often just an afterthought. John proves in his book that it makes good sense to put it a bit higher up on the list. (Konstantin Jacoby, founder Springer&Jacoby Advertising Agency) --Testimonials to author

About the Author
John Groves is a composer, music producer and consultant on the use of sound and music in advertising and communications. In the early 1990s, he became one of the pioneers of Sound Branding, by developing a structured system for creating and implementing brand and corporate Sound Identities, which has provided the basis for what has become a market standard.

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0 of 0 people found the following review helpful.
Great insights of an insider!
By Djani Moto
I can recommend comMUSICation to everyone working in the media or music business. It examines the issue "Music and Sound for Brands and Media" from different angles and provides you with valuable insights about the effect music has on us - from a neurological, psychological and marketing point of view. comMUSICation is a specialist book but as it is written in an easy to understand, popular sciences style, it doesn't give you a hard time reading. I really enjoyed the anecdotes and Mr Groves' British humor.

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Sabtu, 10 Agustus 2013

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La salvaci�n no est� referida simplemente al m�s all�, sino que se traduce en el m�s ac� de la historia. Genera un proyecto de vida con sentido. El autor busca mostrarlo a partir de Jes�s. Se parte de su vocaci�n; de la evoluci�n y aprendizaje que hace en la vida; de su progresiva humanizaci�n, que es la otra cara de su filiaci�n divina; de su crecimiento en santidad y en conocimiento. La cristolog�a es la referencia antropol�gica por antonomasia para los cristianos. Jes�s no fue un superhombre, sino que asumi� plenamente la constituci�n humana, con todo lo que lleva de no saber, de opciones y decisiones inseguras, de fe en Dios en medio de las pruebas. Desde ah�, se muestran los valores humanos por los que vivi�, luch� y muri�, as� como la respuesta homicida de la sociedad y de la religi�n, representadas por sus l�deres que, al final, arrastraron al pueblo. La cruz es la �ltima expresi�n de la impotencia humana, de la lucha por otra religi�n y sociedad posibles y de la presencia de Dios en su vida y muerte. Su filiaci�n divina se comunica plenamente desde la cruz y se confirma con la resurrecci�n. La instauraci�n del reino de Dios culmina as� la resurrecci�n, que implica un corte y un cambio de �poca para Israel y en la historia de las religiones. La vida de Jes�s es la clave de sentido para la resurrecci�n. Desde ah� es posible una cristolog�a que sea un proyecto de vida para el hombre de hoy.Juan Antonio EstradaEstudi� filosof�a en la Universidad de Comillas (Madrid), obtuvo la Licenciatura en Filosof�a y luego el doctorado de filosof�a en la Universidad de Granada, en la que es actualmente catedr�tico de Filosof�a de la religi�n. En teolog�a fue maestro en teolog�a en la Universidad de Innsbruck y complet� estudios en la Universidad de Munich y en la Universidad Gregoriana de Roma con el doctorado en teolog�a. Ha sido durante muchos a�os profesor de la Facultad de teolog�a de Granada y profesor invitado en diversas Facultades e Institutos de teolog�a y de filosof�a de Am�rica. Entre sus �ltimas publicaciones de teolog�a destacan Religiosos en una sociedad secularizada y El cristianismo en una sociedad laica. Su estudio filos�fico-teol�gico El sentido y el sinsentido de la vida es el m�s reciente.

  • Sales Rank: #1906081 in eBooks
  • Published on: 2013-03-21
  • Released on: 2013-03-21
  • Format: Kindle eBook

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Rabu, 07 Agustus 2013

[F406.Ebook] Ebook Fisted , by My Doctor! (Familiar Stranger Medical Fisting), by Abbie Grace

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OMG! What is my doctor doing to me?! A Hard Exam in So Many Ways! But My Doctor Has a Dirty Little Secret ... that only he and I know about . . .
“A stranger's hands all over her ... and in her ... and all the while there’s something so familiar about him ... something she can’t quite grasp . . .”

Her doctor has her tied to the exam table before she realizes that he's someone she should know . . .

Kara is reminded of her boyfriend in college who wanted her to allow him to do a full exam on her ... but she’s not sure why.

She answers an ad for a new clinic that offers a spa-like experience rather than the usual routine exam. That sounds wonderful to Kara ... and all is going well ... until ... the doctor begins her exam and she realizes there's something familiar about him. She's sure she knows him, but she can't remember who he is or where they met. Who is her doctor? And why is he so good at what he does best!

Kara experiences toys to fisting and more ... plus a secret about the doctor she slowly realizes as he keeps exam going ... and ... going!

Note: Also published as My Doctor’s Dirty Little Secret!

Includes a hard medical exam, intercourse, fisting, toys.


  • Sales Rank: #82300 in eBooks
  • Published on: 2015-02-19
  • Released on: 2015-02-19
  • Format: Kindle eBook

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1 of 1 people found the following review helpful.
oh my!
By kathryn sheldon
Oh my! You like this then this for you

0 of 0 people found the following review helpful.
Three Stars
By Dingo Design
It is ok

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Minggu, 04 Agustus 2013

[S924.Ebook] PDF Download E-Learning Uncovered: Articulate Storyline 2, by Tim Slade, Diane Elkins, Desiree Pinder

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The E-Learning Uncovered series is designed to give you the maximum amount of information in the minimum amount of time. You’ll learn about virtually every check box, every menu, and every option in Articulate Storyline 2. But we don’t just tell you HOW to check that box or click that menu; we also tell you WHY you might or might not want to.

Brand new users will learn all the basics of how to get started: scenes, slides, graphics, layers, states, questions, and screen recordings. Intermediate users will uncover the more powerful tools to create advanced interactions: actions, variables, and conditions—all in one book! Everyone will benefit from the special tips and insider secrets that let you do more and save time.

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  • Sales Rank: #133254 in Books
  • Published on: 2014-10-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x .65" w x 8.00" l, 1.28 pounds
  • Binding: Paperback
  • 288 pages

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2 of 3 people found the following review helpful.
Complete waste of money
By Holly
Super disappointed. It's neither engaging nor comprehensive. There's not many Storyline books available; but I honestly think you'd be better off just reading through Articulate's tutorials, even though those are far from comprehensive as well.

0 of 0 people found the following review helpful.
A must have for all skill levels.
By Amazon Customer
Great resource! Includes both the how to's and the why's. A must have for all skill levels.

0 of 0 people found the following review helpful.
great resource. easy to read and apply quickly
By Life_I_Desire
great resource. easy to read and apply quickly.

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