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Tragedy and Philosophy, by Walter A. Kaufmann
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The description for this book, Tragedy and Philosophy, will be forthcoming.
- Sales Rank: #85504 in Books
- Brand: Brand: Princeton University Press
- Published on: 1992-09-08
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .92" w x 5.51" l, 1.08 pounds
- Binding: Paperback
- 480 pages
- Used Book in Good Condition
Review
"[Kaufmann] has attempted a searching analysis of the essence of tragedy. He offers a new definition and, without raising his voice, his version of poetics as against that of Aristotle."--The New York Times
"[This] is not only a book of great importance on the fundamental problem of the aesthetics of literature, but it is vastly entertaining and informed " --Commonwealth
From the Back Cover
This book develops a bold poetics based on the author's critical reexamination of the views of Plato.
Most helpful customer reviews
19 of 19 people found the following review helpful.
Classic Kaufmann!
By D. Roberts
Princeton's own Walter Kaufmann has devised another book that fits a central category of his lifelong interest: the nexus between philosohy and art. More specifically, he engages that topic of philospohy and its relationship to tragedy.
Being a philosopher, one would think that Kaufmann would write a book of literary criticism that is somewhat condescending to the poets. He does no such thing. While he does offer some literary criticism, he also uses the paradigms of the poets to go after the philosophers. This is an unexpected approach, and also a unique one.
One cannot read one of Kaufmann's books without admiring his erudition. It's not just a matter of his knowing his material but knowing it inside & out. His scholarship can be downright intimidating at times. This fact may serve as a warning for those considering this book to become at least somewhat familiar with its subject matter before delving into Kaufmann.
That said, Kaufmann is not for everyone. He is not one to pull any punches when it comes to artists and scholars whom he does not care for. He has been known to launch intellectual uppercuts from his books. This aggressive style may not be appreciated by all readers.
If you are interested in tragedy and the history of tragedy, then this book is for you. Kaufmann traces it from the ancient Greeks to the modern age. He discusses the different paradigms and literary theory of philosophers down the ages. In short, this book details everything you ever wanted to know about the genre - and then some!
34 of 34 people found the following review helpful.
Birth of tragedy, death of tragedy
By John C. Landon
Finding this book on ... search engine was a pleasant surprise, the book now in paperback. There are not many good books, apart from literary criticism of individual works, attempting to analyze the phenomenon of tragedy, whose very definition is subject to an almost metaphysical confusion. Kaufmann's work is especially significant since, as the translator and commentator of Nietzsche's famous work, he also provides a corrective to the inspired but misleading views of that brilliant thinker. The view of tragedy emerging from some preposterous cult or ritual of the goat, and like theories, have been laid to rest by recent scholarship, which Kaufmann cites. The question of the birth and death of tragedy is great historical riddle and defies easy analysis, as is the attempt to find the common denominator between its short list of examplars. The great age of the Greek tragedians is subject to many misperceptions, such as among them the idea that Aeschylus, a bit of an optimist, invented the tragic view of life, etc... Nietzsche's attempt to blame Euripides for the 'death of tragedy' is shown to be somewhat misleading, while the reaction of Plato and the birth of philosophy in its wake remains a forever ambiguous advance.
Kaufmann's 'steady as she goes' scholarship assembles a host of interesting issues and digressions, from the Poetics of Aristotle to the great interpretation of tragedy by Hegel, based on Antigone. Kaufmann's ironic view of philosophy, born in the same time and litter as the genre of the tragedians, is an additional twist, with a somewhat acerbic conclusion that should put philosophers to a double take. Finally, the strange inability of modern drama to grasp the essentials, let alone continue this tradition, throws a great question mark on the universal history from which tragedy is born, and the mechanical history during which it cannot survive. The work might be complemented by George Steiner's The Death of Tragedy.
12 of 12 people found the following review helpful.
Kaufmann makes the philosophy of tragedy accessible
By Stephanie L. Wilde
Walter Kaufmann has a wonderful prose style-lucid, pithy, and even witty. Consequently, this book will be a pleasant and enlightening read even if you are only minimally familiar with the dramatists and philosophers that Kaufmann brings together in this work.
Kaufmann starts from the basic premise that to know what tragedy is one must examine the tragedies themselves. Any theory that can not account for all of Aeschylus, Sophocles, Euripedes & Shakespeare's tragedies is not sound-and he appears to be the first to really hold the theories of Plato, Socrates, Neitzsche, Hegel and other philosophers to this standard. But Kaufmann is not merely a nay-sayer; in the process he develops his own theory. (It's soundness you must judge for yourself!)
I would recommend that the prospective reader have a little familiarity with Greek and Shakespearian tragedy-ideally Sophocles' Oedipus the King and Antigone, Aeschylus' The Oresteia, and two or three of Shakespeare's tragedies. One of Kaufmann's key points is that the plot and characterization of tragedy takes many forms, and it will help if you can reflect on this yourself, instead of having to take him at his word. A background in aesthetic philosophy is quite unnecessary. However much you go into this book with, I think you will come out eager to read more.
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